
Lo, a harbinger of death with metal wings whose face shines like the daystar. References to popular mobilization and sovereignty abound throughout this piece of glitch artwork alongside subversions of hegemonic iconography that gesture towards free association and impermanence. It coalesced out of simultaneous desires to interpolate an earworm by the breakout act, “Geese,” and intertwine anti-imperialist principles with the practice of transformative self-portraiture. The ærial scene features six Shahed drones flying through a twilight sky and flanking a specter through which the sun is visible. Azræl, the angelic figure whose name means “God’s help,” is traditionally associated with mortality in the Abrahamic milieu. Portrayed as manifesting during the crepuscular period, a liminal interval that connotes radical change, he heralds the end of empire, property, and estrangement. Visual artifacting generated using Nick Briz’s Huffman hacking tool further narratively emphasizes the disruption of established authority, hijacking the vulgar apocalypticism informing prevalent nationalist ambitions. Moreover, the Iranian unmanned combat ærial vehicles (UCAVs) function as an allegory for the triumph of use value over the profit motive. Their cost-effective deployment against sophisticated American and Israeli targets in 2026 is an indictment of the Western military industrial complex as a wealth extraction front. Barbed wire, often used for borders, incarceration, and warfare, frames this portion of the composition. This material serves as a vector of conflict and also creates an illusion of physical depth. Surrounding this as a background image is the outer edges of a bird’s-eye view of a crowd in inverted greyscale. At once, this conveys alienation through æsthetics and indicates the emancipatory intersubjective potential of embracing open borders in every sense and abolishing the commodity form.
.: Cotton and polyester canvas composite with a special proprietary coating
.: Pinewood frame
.: Made from sustainably sourced materials
.: Multiple sizes and frame colors to choose from
.: Horizontal, vertical and square options available
.: Sawtooth hanging hardware included
.: Please note: Sizes 30" x 60" (Vertical), 60" x 30" (Horizontal), 60" x 20" (Horizontal), 20" x 60" (Vertical), 40" x 60" (Vertical), and 60" x 40" (Horizontal) - Domestic US, Canada, Spain, United Kingdom, Germany and Australia shipping only
Unique coating
JONDO uses a unique canvas coating that produces the highest quality images using UL-certified Greenguard Gold inks
Sustainable product
The canvas prints are stretched on our proprietary profile radial pine produced from use wood from FSC certified renewable forests
Latex inks
Canvas are printed using latex inks that are non-hazardous, non-toxic, non-flammable
Vibrant colors
The latest printing techniques provide bright and crisp colors matching your craziest designs
If the canvas does gather any dust, you may wipe it off gently with a clean, damp cloth..
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