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›azræl‹ – Matte Canvas, Stretched

$29.99
Sizes: 10" x 8" (Horizontal)
Depth: 1.25"
Quantity
30 days return policy.
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About the product

Lo, a harbinger of death with metal wings whose face shines like the daystar. References to popular mobilization and sovereignty abound throughout this piece of glitch artwork alongside subversions of hegemonic iconography that gesture towards free association and impermanence. It coalesced out of simultaneous desires to interpolate an earworm by the breakout act, “Geese,” and intertwine anti-imperialist principles with the practice of transformative self-portraiture. The ærial scene features six Shahed drones flying through a twilight sky and flanking a specter through which the sun is visible. Azræl, the angelic figure whose name means “God’s help,” is traditionally associated with mortality in the Abrahamic milieu. Portrayed as manifesting during the crepuscular period, a liminal interval that connotes radical change, he heralds the end of empire, property, and estrangement. Visual artifacting generated using Nick Briz’s Huffman hacking tool further narratively emphasizes the disruption of established authority, hijacking the vulgar apocalypticism informing prevalent nationalist ambitions. Moreover, the Iranian unmanned combat ærial vehicles (UCAVs) function as an allegory for the triumph of use value over the profit motive. Their cost-effective deployment against sophisticated American and Israeli targets in 2026 is an indictment of the Western military industrial complex as a wealth extraction front. Barbed wire, often used for borders, incarceration, and warfare, frames this portion of the composition. This material serves as a vector of conflict and also creates an illusion of physical depth. Surrounding this as a background image is the outer edges of a bird’s-eye view of a crowd in inverted greyscale. At once, this conveys alienation through æsthetics and indicates the emancipatory intersubjective potential of embracing open borders in every sense and abolishing the commodity form.

Please note: Sizes 30" x 60" (Vertical), 40" x 60" (Vertical), 60" x 30" (Horizontal), and 60" x 40" (Horizontal) - Domestic US, Canada, Spain, United Kingdom, Germany, and Australia shipping only.

.: Materials: cotton and polyester composite (canvas), pine wood (frame)

.: Comes in 60 different sizes (including vertical and horizontal orientations)

.: Horizontal, vertical and square options available

.: Soft rubber dots on bottom back corners for support

.: Back hanging included

.: Inner frame made with radiata pine sourced from renewable forests

.: Please note: Due to the production process of the canvases, please allow for slight size deviations with a tolerance +/- 1/8" (3.2mm)

.: Please note: Sizes 30" x 60" (Vertical), 40" x 60" (Vertical), 60" x 30" (Horizontal), and 60" x 40" (Horizontal) - Domestic US, Canada, Spain, United Kingdom, Germany and Australia shipping only

Unique coating

Unique coating

JONDO uses a unique canvas coating that produces the highest quality images using UL-certified Greenguard Gold inks

Sustainable product

Sustainable product

The canvas prints are stretched on our proprietary profile radial pine produced from use wood from FSC certified renewable forests

Latex inks

Latex inks

Canvas are printed using latex inks that are non-hazardous, non-toxic, non-flammable

2 rubber dots

2 rubber dots

Rubber dots on the bottom of canvas ensures the canvas stays in place when hung

If the canvas does gather any dust, you may wipe it off gently with a clean, damp cloth..

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Any goods purchased can only be returned in accordance with the Terms and Conditions and Returns Policy.

We want to make sure that you are satisfied with your order and we are committed to making things right in case of any issues. We will provide a solution in cases of any defects if you contact us within 30 days of receiving your order.

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